Caden Manson

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    • THE RENDER
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  • Publications
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    • Imagined Theatres: Writing for a Theoretical Stage
    • PAJ: A Journal of Performance and Art
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    • SOS in Theater
  • Citations
    • Interface Theatre: Watching Ourselves Disappear
    • New York Times
    • Il Manifesto – Broke House
    • Broke House – Gli Stati Generali
    • Broke House by the Big Art Group: Queer Transgressions on the Contemporary New York Stage
    • Der Tagesspiegle (German National Newspaper)
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  • Panels/Lectures
    • Round Table at La Biennale di Venezia Teatro
    • Yale Interdisciplinary Performance Studies Lecture
    • Chaos and Method Prague
    • University of Toronto
    • International Symposium for Directors, Umbria, Italy
    • Pera Museum (Turkey)
    • New School
    • The Legacy of Reza Abdoh
    • CROSSROADS 2013 Warsaw
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    • Techne Institute
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  • Grants
    • Center For Arts In Society
    • Berkman Faculty Development Fund
    • Fund for Research and Creativity
    • Pew Fellowship In The Arts
    • Multi-Arts Production Fund 2009
    • Foundation for Contemporary Art Fellowship
    • NYSCA 2010-13
    • Multi-Arts Production Fund 2003
    • Greenwall Foundation 2006
  • Festivals
    • Asteroide Amor Festival
    • La Biennale di Venezia Teatro
    • Hungry Eyes Festival Giessen
    • Live Arts Bard Biennial
    • Bone Festival
    • FTP Festival
    • Festival d’Automne á Paris, France
    • Theater Der Welt
    • Brooklyn Academy of Music
    • Kampnagel Hamburg, Germany
    • Theater Works, Singapore
    • Hebbel Am Ufer Berlin, Germany
    • Wexner Center For The Arts
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Big Art Group

Big Art Group is a  New York City performance company founded in 1999 by Caden Manson and Jemma Nelson. The company uses the language of media and blended states of performance in a unique form to build challenging new works. Since its inception, it has toured nationally and internationally and produced critically acclaimed works including CLEARCUT, catastrophe (1999),  The Balladeer (2000),  Shelf Life (2001),  Flicker (2002),  House of No More (2004),  Dead Set (2006-Serial Project),  The People (2007-Serial Project),  The Sleep (2007),  The Imitation (2008), SOS (2008), Cityrama (2010-Serial Project), Broke House (2012).

In these pieces founder and director Caden Manson invented the integrated spectacle ‘Real-Time Film’, a hybrid of film and theatre in which actors recombined formal ideas of performance through the use of simultaneous acting on stage and for live video using complex choreography, digital puppetry and live video framing. The company’s works exists in the contemporary stream of postdramatic performance, wherein traditional narratives and established performer-audience relationships have been opened up to create possibilities of innovative discovery. The work blends high and low technology, marginal and mainstream culture, and blunt investigation to confront complex issues about contemporary experience.

In its history, the company grew from a small New York underground performance group to an internationally prominent and critically recognized ensemble with essays in performance literature (PAJ, Theater Journal, Mouvement, Theatre Heute), grants from The Jerome Foundation, The Greenwall Foundation, DNA (Andrew W. Mellon foundation and Arts International), Florence Gould Foundation, MAP Fund, étant donnés, and multiple invitations from leading festivals and presenters of contemporary performance (Hebbel am Ufer Berlin, Festival d’Automne à Paris, Theatre Der Welt, La Vie de Festival Rome, Desingel Antwerp, Zürcher Theater Spektakel, Szene Salzburg, Wexner Center for the Arts, REDCAT LA, Under The Radar, Yerba Buena Center for the Arts, and the Kitchen).

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© Caden Manson