Caden Manson

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Citations

Felton-Dansky, Miriam, and Jacob Gallagher-Ross. “Interface Theatre: Watching Ourselves Disappear.” Modern Drama, vol. 67, no. 1, 1 Mar. 2024, pp. 9–17, doi:10.3138/md-67-1-1288.

Soloski, Alexis. “All the World’s a Screen? They’Re Used to It.” New York Times, 3 Feb. 2021, pp. 8.New York Times

Porcedda, Walter. “Biennale, Un ‘Loco’ Tra I Tabù Della Contemporaneità.” Gli Stati Generali, 4 July 2022, https://www.glistatigenerali.com/teatro/biennale-un-loco-tra-i-tabu-della-contemporaneita/.  (Italian National Website)

LAUDENBACH, PETER. “Am Längeren Hebbel.” Der Tagesspiegel, 2 Nov. 2003, www.tagesspiegel.de/kultur/am-laengeren-hebbel/461616.html.(German National Newspaper)

Gallagher-Ross, Jacob. “Image Eaters: Big Art Group Brings The Noise.” TDR The Drama Review 54.4 (2010): 54-80. Print.(Journal)

Gallagher-Ross, J. “Babes In The Woods: Big Art Group’s SOS.” Theater, vol. 40, no. 2, 2010, pp. 33–40., doi:10.1215/01610775-2009-029.(Journal)

Carlson, M. “Mixed Media and Mixed Messages: Big Art Group’s Exploration of the Sign.” Journal of Dramatic Theory and Criticism, vol. 22 no. 2, 2008, pp. 119-131. Project MUSE, doi:10.1353/dtc. 2008.0005(Journal)

Boitel, Stéphane, and Emeline Jouve. “Theatre/Video and the Crossing of Boundaries: Big Art Group’s Flicker (2002-2005): Stitching the Eye/I.” Liminalities 11.2 (2015): Print.(French Journal)

Lemoine, Xavier. “Broke House by the Big Art Group: Queer Transgressions on the Contemporary New York Stage.” Angles: French Perspectives on the Anglophone World / New Approaches to the Body Performance, Experimentations, 20 Jan. 2015, angles.saesfrance.org/index.php?id=91.(French Online Journal)

Parker-Starbuck, Jennifer. “Le Théâtre Cyborg.” Art Press 2.25 (2012): 85-91. Print. (French Journal in French and English)

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