Caden Manson

Menu
  • Work Samples
    • THE RENDER
    • Broke House
    • SOS/Animals/Action
    • Opacity
    • Lord Of the Flies
    • Originale
    • Flicker
    • House Of No More
    • SOS
  • Projects
    • Big Art Group
    • Contemporary Performance
    • Special Effects Festival
    • SLC Performance Lab Podcast
  • Publications
    • Opacity Script
    • Currents
    • Imagined Theatres: Writing for a Theoretical Stage
    • PAJ: A Journal of Performance and Art
    • Theater
    • Performing Politics (Theater der Zeit)
    • SOS in Theater
  • Citations
    • Interface Theatre: Watching Ourselves Disappear
    • New York Times
    • Il Manifesto – Broke House
    • Broke House – Gli Stati Generali
    • Broke House by the Big Art Group: Queer Transgressions on the Contemporary New York Stage
    • Der Tagesspiegle (German National Newspaper)
    • Performance Now
    • TDR: The Drama Review 54:4
    • Yale Theater Magazine
    • Journal Of Dramatic Theory
    • Liminalities (French/English Journal)
    • Artpress (French Journal in French & English)
    • New Yorker (Magazine)
    • Artforum (Magazine)
  • Panels/Lectures
    • Round Table at La Biennale di Venezia Teatro
    • Yale Interdisciplinary Performance Studies Lecture
    • Chaos and Method Prague
    • University of Toronto
    • International Symposium for Directors, Umbria, Italy
    • Pera Museum (Turkey)
    • New School
    • The Legacy of Reza Abdoh
    • CROSSROADS 2013 Warsaw
    • Portland Institute For Contemporary Art Conversations
    • Techne Institute
    • UC Berkeley
  • Grants
    • Center For Arts In Society
    • Berkman Faculty Development Fund
    • Fund for Research and Creativity
    • Pew Fellowship In The Arts
    • Multi-Arts Production Fund 2009
    • Foundation for Contemporary Art Fellowship
    • NYSCA 2010-13
    • Multi-Arts Production Fund 2003
    • Greenwall Foundation 2006
  • Festivals
    • Asteroide Amor Festival
    • La Biennale di Venezia Teatro
    • Hungry Eyes Festival Giessen
    • Live Arts Bard Biennial
    • Bone Festival
    • FTP Festival
    • Festival d’Automne á Paris, France
    • Theater Der Welt
    • Brooklyn Academy of Music
    • Kampnagel Hamburg, Germany
    • Theater Works, Singapore
    • Hebbel Am Ufer Berlin, Germany
    • Wexner Center For The Arts
Menu

Flicker

Big Art Group
Co-creator, Co-writer, Director, Media/Projection Design, and Set Design

Description:

Ficker uses Big Art Group’s Real Time Film technique of live video projection and split second-choreography to examine the image of violence in this second part of the RTF trilogy. In Flicker,  two “movies” collide into each other and bleed onto a single screen. In one narrative, voyeurism and softcore sadomasochism spin out of control, while the B-story follows a group of city friends who find themselves lost in a wilderness that turns mythic and murderous. As the two films intersect, a dark tale of disjunction emerges, exploring the need to comprehend the irreality of death and the everyday presence of violence. A comedy.

Video:

Images:

Toured to 25 Theaters in 11 Countries:

In Motion Festival (Barcelona, Spain)
REDCAT (Los Angeles, CA USA)
Teatro Central (Sevilla, Spain)
VEO Festival (Valencia, Spain)
Teatro Canovas (Málaga, Spain)
Teatro Alhambra (Granada, Spain)
Teatro La Fenice (Senigallia, Italy)
Trafó (Budapest, Hungary)
STUK (Leuven, Belgium)
New Territories Festival (Glasgow, Scotland)
Emilia Romagna Teatro (Modena, Italy)
Sommerszene Festival (Salzburg, Austria)
The Via Festival (Maubeuge, France)
Inteatro Polverigi (Polverigi, Italy)
Zürcher Theater Spektakel (Zurich, Switzerland)
La Bâtie-Festival de Genève (Geneva, Switzerland)
De (internatonale) Keuze van de Rotterdamse Schouwburg (Rotterdam, Netherlands)
Le Vie de Festival (Rome, Italy)
SpielArt Festival (Munich, Germany)
Hebbel Theater (Berlin, Germany)
Mettre en Scène (Rennes, France)
Théâtre Garonne (Toulouse, France)
Festival d’Automne (Paris, France)
Théâtre de Lorient (Brittany, France)
Performance Space 122 (NYC, USA)

Press:

“The theatre of images for the new century is born: rapid, without concessions, violent and consuming itself at 100 miles an hour.” – Le Télégramme

“No description of “Flicker,” is likely to convey its ragged, witty lunacy.” – New York Times

“intriguingly unique and original… it’s unlike anything else in town.” – New York Post

“Wave of the future” – Time Out

“Thoughtfully designed and sharply executed, director Caden Manson’s production reasserts his claim as downtown’s new best thing.” – City Search”…a breakneck immediacy that feels very contemporary.” – Village Voice

  • Work Samples
  • Publications
  • Projects
  • Citations
  • Panels/Lectures
  • Grants
  • Festivals
© Caden Manson