Caden Manson

Menu
  • Work Samples
    • THE RENDER
    • Broke House
    • SOS/Animals/Action
    • Opacity
    • Lord Of the Flies
    • Originale
    • Flicker
    • House Of No More
    • SOS
  • Projects
    • Big Art Group
    • Contemporary Performance
    • Special Effects Festival
    • SLC Performance Lab Podcast
  • Publications
    • Opacity Script
    • Currents
    • Imagined Theatres: Writing for a Theoretical Stage
    • PAJ: A Journal of Performance and Art
    • Theater
    • Performing Politics (Theater der Zeit)
    • SOS in Theater
  • Citations
    • Interface Theatre: Watching Ourselves Disappear
    • New York Times
    • Il Manifesto – Broke House
    • Broke House – Gli Stati Generali
    • Broke House by the Big Art Group: Queer Transgressions on the Contemporary New York Stage
    • Der Tagesspiegle (German National Newspaper)
    • Performance Now
    • TDR: The Drama Review 54:4
    • Yale Theater Magazine
    • Journal Of Dramatic Theory
    • Liminalities (French/English Journal)
    • Artpress (French Journal in French & English)
    • New Yorker (Magazine)
    • Artforum (Magazine)
  • Panels/Lectures
    • Round Table at La Biennale di Venezia Teatro
    • Yale Interdisciplinary Performance Studies Lecture
    • Chaos and Method Prague
    • University of Toronto
    • International Symposium for Directors, Umbria, Italy
    • Pera Museum (Turkey)
    • New School
    • The Legacy of Reza Abdoh
    • CROSSROADS 2013 Warsaw
    • Portland Institute For Contemporary Art Conversations
    • Techne Institute
    • UC Berkeley
  • Grants
    • Center For Arts In Society
    • Berkman Faculty Development Fund
    • Fund for Research and Creativity
    • Pew Fellowship In The Arts
    • Multi-Arts Production Fund 2009
    • Foundation for Contemporary Art Fellowship
    • NYSCA 2010-13
    • Multi-Arts Production Fund 2003
    • Greenwall Foundation 2006
  • Festivals
    • Asteroide Amor Festival
    • La Biennale di Venezia Teatro
    • Hungry Eyes Festival Giessen
    • Live Arts Bard Biennial
    • Bone Festival
    • FTP Festival
    • Festival d’Automne á Paris, France
    • Theater Der Welt
    • Brooklyn Academy of Music
    • Kampnagel Hamburg, Germany
    • Theater Works, Singapore
    • Hebbel Am Ufer Berlin, Germany
    • Wexner Center For The Arts
Menu

Lord Of the Flies

Carnegie Mellon University School Of Drama
Director

Description:
Written by William Golding and adapted for the stage by Nigel Williams, the Carnegie Mellon University School Of Drama production was situated in a post-dramatic framework of narrative action (the play), mediated alienation (live video), and a poetic materiality (design). The play was performed by a company of 8 actors embracing a realistic acting method and played towards both the live audience and live video framing. The live video was used to highlight the muscular acting technique of the ensemble and the poetic approach of the design that embraced contemporary online “parentless islands” that teens survive in today. Dramaturgically, the live media and prerecorded projection reflected online spaces of social media and internet culture full of the harassment and bullying found in the script. The set design further accentuated and pointed at the materiality of youthful play in the performance. Ladders became mountains, tables stood in for huts, and potted plant morphed into the jungle. As the seriousness and consequences of the character’s actions take hold, the set and media were stripped until there were only the bodies of the survivors refracted and reflected through the remains of the disaster that had unfolded.

Images:

(Photography: Louis Stein, Dan Sakamoto, Keith Truax)

  • Work Samples
  • Publications
  • Projects
  • Citations
  • Panels/Lectures
  • Grants
  • Festivals
© Caden Manson